|
Jennifer
Alpaugh
|
|
I enjoy moving between the contrast of evoking
the large free-flowing forms of landscapes and
flowers and the more exacting rigor of painting
portraits. I work primarily with oil paint on
canvas and various types of printmaking, including
cyanotypes.
|
|
jenny1alpaugh@gmail.com
tangerinearts.net/jalpaugh
|
|
Susan
Black
|
|
My primary medium is watercolor, and I paint what
interests me. I seek simplification and I enjoy
experimentation. Lately, I have also moved into
pastel painting, focusing on the local landscape,
or in abstract combination with watercolor.
|
|
susanb224@aol.com
susanblackonline.com
|
|
Kathy
Dybeck
|
|
Most of my work in recent years consists of doing
more a mixed-media approach to art, using printmaking
or alternative photography as a base with elements
of other work that I've done, in handmade paper,
abstract painting, textiles, added to the mix.
|
|
fogbeltkd@aol.com
kathydybeck.com
|
|
Linda
Fitch
|
|
As a photographer, the night’s solitude and unknown
has long attracted my imagination. These are places
that we move through at night and rarely stop
to observe. All of my prints are produced in the
traditional darkroom. - a very tactile intuitive
method of making photographs and a process which
gives me great pleasure.
|
|
lindafitch000@gmail.com
lindafitch.com
|
|
Charlotte
Kay
|
|
With digital cameras / Photoshop filters exploring
the beauty of natural and man-made landscapes,
images are printed to express the luminosity of
watercolors. Then using the landscapes photos
as models and inspiration, kiln formed glass pieces
are made - by stacking layers of different shape,
sizes and opacities of compatible glass.
|
|
chardohnay@aol.com
charlottekayphotography.com
|
|
Melinda
Lightfoot
|
|
While I continue to paint with acrylics, in the
last year or so I’ve also returned to pastels.
I have found new challenges and inspirations by
going deeper into this glorious, difficult-yet-simple
medium. Some images seem to need the softness
of pastels, while others need the strength, directness,
and stability of acrylic.
|
|
wordsmithediting@comcast.net
tangerinearts.net/mlightfoot
|
|
Nancy
Mona
Russell
|
|
My paintings are abstractions of visual memories.
Surface, colors shapes take on their own essence.
Sometimes, rather than being something remembered,
the work is a process of discovery. It is always
a distillation of the experience of making the
artwork itself.
|
|
nancymonarussell@yahoo.com
nancymonarussell.com
|
|
Louis
Webb
|
|
I walk along aware of passing views, not thinking
of photography. There is, though, below the forefront
of my awareness, a consciousness of visual opportunities
that rise to my attention. The goal is to convey
my emotional response to the scene with the camera.
|
|
lwebb123@gmail.com
sites.google.com/site/lwebb123
|
|
Roxanne
Worthington |
|
I got hooked on photography—fine art photography—
the first night I spent in the darkroom, printing
a roll of black and white film. Photography, for
me, almost always involves an exploration, a journey
on which I continue to explore my imagination
and place in the world.
|
|
roxwor@aol.com
roxanneworthington.com
|

|
Pauline
Yeckley
|
|
Swimming in San Francisco Bay and searching for
the best birding hot spots are two of my favorite
outdoor activities. The inspiration for many of
my printmaking images comes from these adventures.
|
|
yeckley@rocketmail.com
|